COMMUNITY AND PLACE
Anniken Greve
University of Tromsø
The overall ambition of this paper is
to reflect on the relationship between the human community or
society in a place and that place itself. Our understanding of
this relationship is necessarily bound up with our understanding
of what a place is, and, for that matter, what a community
is. My discussion will, initially at least, focus on the concept
of place rather than that of community, but I hope it will be
clear that what I have to say about the former has important implications
for the latter.
The paper is divided into three parts. I will start by
making some preliminary points and distinctions, points which
will have a bearing on what I'm going to say later on. In the
second part I will be concerned with the idea of place as a lived
space,
and more specifically with a constructivist version of that idea.
In the third part I will sketch what I take to be the implications
of a constructivist position for what it is to be together in
a place, for our sense of communality.
Preliminaries
Place is a term which mediates between
the given
and the made. As something given, the place is integrated
in the natural world. As something made, the place is a result
of human effort. The paper will be an attempt to understand this
mediation between the given and the made in a place. In this first
part of the paper I will focus on the role of human presence in
the emergence of places. That is, the discussion will focus on
these efforts and activities, but the point of the discussion
will be to show that their nature is properly understood only
when seen in relation to those aspects of place which are beyond
those efforts, in relation to place as something given.
The human presence in a place is an integral part of the
place, and is thus a fact of it. The place becomes a different
place if the human presence is withdrawn or disappears. Human
presence in a place, no matter how brief or transitional, is a
part of the (physical) place, for the time that it lasts. The
humans that are there
are part of the contents of that "there," part of the
furniture of the place. Aristotle sees place as a container, and
human beings who are in a place are part of what it contains.
In this sense human beings are in a position that is not much
different from that of trees, houses, flowers, animals. We may
be more mobile and less permanently present than some of these,
but as long as our presence lasts, we are part of the contents
of the place. (And: the place itself cannot be grasped in isolation
from its contents.)
But human beings in a place are also a fact of the place
in another sense. Human life being what it is (human bodily needs
being what they are), a place will be marked by the human presence
provided it is not completely transitional. Human beings need
shelter, water, heat, food etc, and these needs, and the activities
that are tied to the meeting of these needs, have unavoidable
consequences for the place. This point can be put in ecological terms:
the human community in a place forms part of its ecology.
We may, however, wish to go further than this and say that
human presence is not only a fact of the place, it is also a condition
of it. Without human beings there is no question of some patch
of the earth being seen as a place. The concept of place belongs
within the human form of life, it makes sense within the human
way of being in the world, and the human way of being in the world
is partly characterized by the role places play in this form of
life. It is for the human eye that some patches of the earth (some
geographical sites) appear as places. With no human beings in
the world the human form of life within which the concept of place
makes sense would no longer exist. Thus places would no longer
exist. In this sense human presence is a condition of the existence
of the place. (Or rather: human beings in the world is a condition
of there being places in the world.)
One can, I think, hold the view that human presence is
a condition of place without endorsing the following view, namely
that places owe their existence to human beings' projecting the
concept of place onto the physical world. According to this view
the concept of place is something that human beings bring to the
physical world, we shape the world by the concepts with which
we see the world. This view, which seems to me a revival of philosophical
idealism, holds that places, even if they are unmarked physically
by human presence in the place, are human constructs, produced
by the cognitive efforts of human beings. One can hold that the
human cognitive effort is essential to the existence of places
(places depend for their existence on the human way of cognitively
receiving the world), without accepting this view of what role
the cognitive effort plays in bringing about places. Indeed, the
philosophical importance of the notion of place may be to remind
us that the human form of life within which the concept of place
makes sense is embedded in a world that is not of our own making,
a world which we receive. The very notion of place may be seen
as a recognition of that embeddedness. So, the concept of place
must be understood with reference to the human sense-making activity,
but stay clear of an understanding of that sense-making activity
as a production of the phenomena which we (as human beings) make
sense of.
I said a little while ago that the philosophical importance
of the notion of place may be to remind us that the human form
of life within which the concept of place makes sense is embedded
in a world that is not of our own making, a world which we receive.
I take this to be true of the human condition, whether or not
we think it is true: we are embedded in a given world in this way. Our reception of it, however, may be more or less wholehearted.
Or, to put it in other words: our practical activities and efforts
in the world to make ourselves at home in it may be more or less
marked by a recognition of this more profound embeddedness. On
this basis we may distinguish between communities that are more
and communities that are less deeply embedded in the place in
which their life unfolds. The human community is deeply embedded
in the place if the form of life of this community is marked by
an acceptance of the specific living conditions that this patch
of the earth offers, i. e. by an acceptance of the place as something
given. Similarly the community may respond to the natural surroundings
by rejecting them, i. e. by making its way of life as independent
as possible of the living conditions that the place offers, and
thus seek to make the place into something wholly made, or man-made.
The degree of such embeddedness may be taken as an expression
of our understanding of and valuing of the place as part of the
natural world. We may relate to the place in our practical building
of it and in our living- making (productive) activity in it in
such a way that we express a recognition both of its independence
of us (me), and of our (my) dependence on it. Likewise, our practical
dealings with and in the place may be lacking in such an understanding
or recognition. When we evaluate a human form of life (that of
a particular culture, our own or that of other people), we may
take such a lack of recognition to be an expression of ignorance
with respect to a fundamental feature of the human condition:
our dependence on a natural world that is not of our own making,
and our being an integral part of that world.
Place as lived space
In the following I wish to discuss the
relationship between the human community in a place and that place
itself in less abstract terms. I will do that by picking up a
notion that is often used to distinguish a place from any accidentally
delineated patch of the earth, the notion of lived space.
There is in the idea of place as a lived space a tension which
I want to highlight, a tension between on the one hand the role
of the community in bringing the place into existence, and on
the other, the role of the place in bringing about the community.
The idea of place as lived space is inspired by phenomenological
thinking, and Husserl's notion of Lebenswelt, or life-world, is
heard in the background. A place is a lived space is a life-world.
This way of thinking obviously takes the human presence in a place
as a condition of it. It is the human presence on this spot (and
all the practical and social and symbolic activities that this
human presence involves) that lifts the spot out of the dead masses
of undifferentiated land and turns it into a place. As lived space
or life-world the place is imbued with meaning. It is in virtue
of being imbued with meaning that it is
a place. As a lived world a place makes sense. Thus, the idea
of place as a lived space turns the notion of place into an experiential
notion: whether or not any particular spot of the earth is a place
cannot be settled independently of people's experience of it.
On the contrary people's experience of it is the route into its placeness, its character
of being a place.
This experiential character of the notion of place makes
any particular place vulnerable to differences in people's experience
of it. Not everything that comes across to me as a place will
necessarily come across to you as a place. One place (a house,
a village, a mountain) may mean different things to two different
people, or two different groups of people, or, for that matter,
two different peoples. Since human life is essentially a communal
life, and sense-making activity in a profound sense is a communal
activity, the sense a particular place makes is dependent on what
human community those for whom it makes sense are integrated in.
In Tromsø, where we are now, there is a mountain called
Tromsdalstinden. For the Sami people this is a holy mountain.
To understand how it is perceived and received within the Sami
culture, one needs to know Sami religious life. This in turn must
be comprehended within the framework of the broader form of life
of the Samis, their being a nomadic or semi-nomadic, reindeer-herding
people, the way their way of life is developed through an intimate
exchange with the particular and rather marginal living-conditions
of this area.
Tromsdalstinden is not a holy mountain in any comparable
sense for the Norwegians here. First of all it doesn't have one
fixed, shared meaning, which may be taken as an indication that
it isn't particularly central to the Norwegian community here.
It could however, also be taken as an indication that the Norwegians
don't form one homogeneous community. Among us it is a mountain
you walk to get away from town, to get a marvellous view, in order
to test your fitness or to prove it, in order to deserve your
dinner all the more when you get home. Or it is an object of contemplation,
something that you marvel at from your window in town, a mountain
that captures the light of the different seasons, the first light
when the sun appears at midday in January, after having been hidden
behind the horizon for two months, and it is the mountain that
captures the last sunrays of the midnight sun in July. Or it is
just one mountain among many in this area, none of which you care
much for anyway. It annoys you when you drive those long-winding
roads around it: if it was blown to pieces, your trip would be
only one fifth of its length.
My point here is very simple: if we think of place as lived
space, and explain the notion in the terms I have used above,
Tromsø is not one place, but several, and so are most others,
at least potentially. Two people can be in the same locality (within
the same geographical boundaries), e.g. of a village or a city,
and still be in different places. That is, they may not be part
of the same community that defines the place. Two different communities
may define two different places on this same spot/site. Or the
same spot may form part of the place that two different communities
define.
According to this line of thought, what place or places
we live in here depends on what community or communities we are
integrated in. As human life is essentially communal, "lifting
the spot out of the dead masses of land" is essentially a
communal effort. It seems that we are mediated to the place through
the community of which we are a part. Consequently, one's sense
of belonging to the place is concordant with one's sense of belonging
to the community of the place. In being brought into the community
one is also brought into and becomes a participant in the place
as a lived space or life-world.
This way of connecting the notion of place to human communal
life has the immediate appeal of giving at least a preliminary
account of what it means to belong to a place, and thus to explain
how one can be in a place and still be out of place there. This
seemingly paradoxical way of talking depends on our employing
the word "place" in two senses, first meaning the geographical
spot itself, then meaning place as it is defined by the community.
We are out of place in a place when we have no ties with the community
of the place. Indeed one possible interpretation of the notion
of exile, which according to some, at least, is central to the
modern experience of the world, and perhaps a privileged position
from which to see the world, seems to spring from this way of
understanding the connection between community and place.
In the following I will not pursue this notion of exile,
but rather return to the tension I mentioned earlier which I take
to be inherent in the idea of place as a lived space; the tension
between on the one hand the role of the community in bringing
the place into existence, and on the other, the role of the place
in bringing about the community. The account I have given above seems
on the surface, at least, to give the constitutive power to the
community. My account seems to favour the view that a place is
a culturally (communally) constructed phenomenon, something that
owes its existence to the human community that is situated in
this particular location. To say that the community is constitutive
of the place is to say that the way we are bound together in a
place defines the place, turns these dead masses of land into
a place. The life it has as a place it owes to us. It is our ties
with the community of the place that tie us to the geographical
spot.
I take this to be a quite widespread view of the relationship
between the community of a place and the place itself. One may
call it a constructivist view/concept of place: places are essentially
human cultural constructs. My own attitude to this constructivist
view is ambivalent. On the one hand I disagree with the constructivist
view as I formulated it just now. On the other hand I hold most
of the points about place that led to this conclusion to be right,
at least as far as they go. In the following I wish to highlight
one feature of the line of thought that I have just outlined that
I think is simply mistaken, or at least is formulated in such
a way that it is easy to mistake the truth it contains.
The idea in the account just given of place as a lived
space that I wish to focus on is the idea that the human presence
on a particular location lifts the spot out of the dead masses
of undifferentiated land and turns it into a place. In particular
I think it is the view of the earth as "dead masses of undifferentiated
land" that invites the constructivist conclusion. If it is
the case that places emerge for the human eye out of such dead
and undifferentiated masses of land, whatever life the place has,
it has been given by the human eye. An Orkney author, George Mackay
Brown, formulates in a story what I take to be an ethics of giving
and receiving in Orkney: "I give what I give, and I take
what I get." In contrast to this, the giving and taking between
human beings and their places as the constructivist sees it takes
the form "I give what I give and I take what I give."
In other words, in our relation to places there is no room for
getting, for receiving; the given aspect of place is blurred or
rendered as insignificant. Whatever I see in the place, its very
placeness, springs from me, from the eyes with which I see it.
In my opening remarks I made a point of distinguishing
between the view that the concept of place depends on the human
form of life and the idealistic view that human beings project
the concept of place on to the physical world. There is, I think,
a tendency to take this latter view to follow from the first.
The confusion involved here may be described as a running together
of the conditions which are necessary to a certain perception
and the content of the perception that is conditioned in this
way. Seeing and valuing a geographical site as a place depends
on the form of life within which it is seen and valued in this
way. In this sense the human presence, and the form of life of
this particular human community, is a condition of its being perceived
in this way. But my perception of it as a valuable place is not
a perception of just those conditions. The seeing of it as a valuable
place may depend on me, but what I see may be quite independent
of me. Indeed when I perceive it as a valuable place it may be
exactly its independence of me that I value.
The constructivist idea that the human eye, and particularly
the culturally varnished human eye, turns the undifferentiated
land into a place is, I think, guilty of running these two together.
The conditions of seeing Tromsdalstinden in the way the Samis
do are certainly given by the Sami form of life. Grasping their
perception of it when they see it as a holy mountain requires
familiarity with their form of life. But what they see when they see it in this way (the content
of what they see) is not identical with those conditions. That they see Tromsdalstinden in this way
is an upshot of their culture/community/way of life, but what they see is not. What they see is something
that is not of their own making. To see Tromsdalstinden as a holy
mountain is, perhaps, to recognize their own (form of) life and
all that is a result of their own individual and communal effort
as ultimately dependent on a natural world that is not.
Perhaps we can use Bateson's formula "a difference
that makes a difference" to disentangle the constructivist
knot here. The human eye does not produce all the differences
that it sees. The human eye does not produce Tromsdalstinden.
The human eye sees (receives through the senses) Tromsdalstinden.
The difference between Tromsdalstinden and any other lump of land
or patch of the earth is nature's work. The significance of this
difference, or the lack of it, springs from us. The differences
between us that I mentioned earlier with respect to what Tromsdalstinden
signifies to us, may themselves be expressive of differences between
us in the sense we make of our relation to the natural world.
I said earlier that this sense-making activity is a communal
effort, but also that the sense Tromsdalstinden makes within the
Norwegian community isn't a homogeneous one. This may be because
the Norwegian community itself isn't homogeneous, or it may be
because responses to Tromsdalstinden don't figure prominently
in the sense of communality among the Norwegians. Responding to
Tromsdalstinden rests with the individual rather than with the
community. Taken together the various Norwegian responses to Tromsdalstinden
that I mentioned above are indications of an urban community whose
form of life is far less embedded in the natural surroundings
than the Sami community. However, if we look at each of the responses
and see what they individually express, we find that they differ
significantly in their recognition of this more profound embeddedness
of human life in the natural world. By seeing Tromsdalstinden
as the keeper of the light of the season, one turns it into an
object of contemplation by which one measures the patterns of
seasonal change and repetition, and by the perception of which
one improves one's awareness of these patterns of change and repetition.
This contemplation may be seen as, and I think it is correctly
seen as, a recognition of our more fundamental embeddedness in
the natural world. Such a response is far removed from perceiving
it primarily as an obstacle to straight roads and efficient transportation,
and it is in spirit a lot closer to the Sami perception of it
as a holy mountain. This is so even if it springs from an urban
form of life that in its big outlines, at least, doesn't exhibit
a recognition of such embeddedness.
Sense of communality: Towards a poetic
response to place
So far in this paper I have been concerned
with what I take to be a problem in a constructivist conception
of place, first in general terms, then by way of an example. My
example was concerned with the different senses which different
communities may ascribe to a place, in this case a mountain. I
questioned the constructivist position by questioning the implicit
idea that responding to the physical world is simply responding
to our own culture's or our own communitity's demands. There are
such cultural demands on us, our responses are culturally shaped,
and I am sure this symposium will give us ample examples of such
shapings. I would like to maintain, however, that not everything
that enters into our response to the place comes through the communally
constituted and maintained discourse, and that not all the power
to constitute and maintain places is in the hands of the community.
A place is also something that is given, and as something given,
it is something we find ourselves embedded in. Different cultures
and communities may differ in their recognition of this embeddedness,
and their sense of place may be an expression of such a recognition.
In this last part of the paper I wish to pursue this criticism
of a constructivist conception of place, but I will do it by shifting
the emphasis of the discussion slightly. While I have been concerned
with communal senses of place, I will in the following be concerned
with the sense of communality in a place, that is, the way we
relate to others in a place. In the constructivist version of
what a place is, the way we are together in a place defines the
place. This implies that we are in the same place by virtue of
being bound together in this way. Those who are not within our
social boundaries are not in the same place as we are. They may
be within social boundaries that define a different place in this
spot. Then they are outsiders in relation to us, but insiders
in relation to some other community that coexists with us in this
patch of the earth. Or they may be outside social boundaries that
define a place here altogether. Then they are outsiders in every
cultural context here, and simply out of place.
I wish to question this conception of what it is to be
together in a place by invoking some ideas that Seamus Heaney
has expressed primarily in his critical work. I think, however,
that these ideas also inform his poetry, even though I will do
nothing now to show that that is the case. Heaney's writings spring
from a place in which this contest between communities that define
different places in the same geographical area has taken the form
of war. His situation leaves no comforting gap between philosophical
reflections and political realities, a fact that gives a certain
urgency to his reflections.
Heaney is possibly the most acclaimed poet of place writing
in the English language today. Both his poetry and his critical
works are informed by an understanding of what poetry is that
makes place central to poetry. However, his conception of the
poetic is also a conception that seeks to account for the role
of the poet in society, his or her responsibility towards his
or her community. In his most recent collection of critical essays,
The Redress of Poetry, he locates the responsible poet at what
he calls "the frontier of writing." The military metaphor
here is no accident. It is hardly suggestive of a view of the
poet as an aggressor, but rather a vision of the poet as someone
who is situated in a contested field. He defines this frontier
as a dividing line, "the line that divides the actual conditions
of our daily lives from the imaginative representation of those
conditions in literature, and divides also the world of social
speech from the world of poetic language." (p. xvi). This
definition aligns "the actual conditions" with "social
speech" on the one hand, and on the other hand it aligns
"the imaginative representation of those conditions"
with "poetic language." If we wish to cash this point
out in terms of responsiveness to place, we get a picture of a
poetic sense of place that is not indifferent to the communally
mediated sense of it, but that is nevertheless different or at
least distinguishable from it. And it is the work of the imagination
that provokes the difference. In the poetic response we see "the
imagination pressing back against the pressure of reality,"
as Heaney says.
In The Redress of Poetry
Heaney tries to define what he one place calls a "totally
adequate" and somewhere else a "fully realized"
poetry. This poetry is one which achieves this balance between
the pressures of reality and the pressure of imagination. The
fully realized poem notifies the ordinary scheme of things. "But
in the end, the poem is more given over to the extraordinary than
to the ordinary, more dedicated to the world-renewing potential
of the imagined response than to the adequacy of the social one."
(p. xvii). In another passage he describes the achievement of
this kind of poetry as
a working model of inclusive consciousness.
It should not simplify. Its projections and inventions should
be a match for the complex reality which surrounds it and out
of which it is generated. The Divine Comedy is a great example of this kind of total adequacy, but a haiku may
also constitute a satisfying comeback by the mind to the facts
of the matter. As long as the co-ordinates of the imagined thing
correspond to those of the world that we live in and endure, poetry
is fulfilling its counterweighting function. (p. 8.)
The ideas of redress, of counter-weighting
function, of inclusive consciousness and world-renewing potential
all contribute to a picture of poetry as responsible by being
responsive to a totality
of some kind. This totality may be out of focus in our daily life.
The poetic vision both brings it into focus and proves it indispensable,
as if our daily life was out of focus without it. Heaney formulates
this sense of totality in terms of temporality as well. Reading
a fully realized poetry of this kind,
There is the sensation both of arrival
and of prospect, so that one does indeed seem to "recover
a past" and "prefigure a future," and thereby to
complete the circle of one's being. When this happens, we have
a distinct sensation that (to borrow a phrase from George Seferi's
notebooks) poetry is "strong enough to help"; it is
then that its redress grows palpable. (p.9).
Poetry that aspires towards this kind
of totality is up to a hard test in Northern Ireland, a place
marked by divisions more than anything, and a place "invoked
under two different systems of naming." (p. 188). Heaney
describes the situation as one in which "the whole population
are adepts in the mystery of living in two places at the same
time." (p. 190). This bilocation, the plurality of the place,
is a fact of place in Northern Ireland, and as such it is an example
of how deep the communal definition of place runs in a place.
The two systems of place-names are invoked by two different communities
that define two different places in the same geographical spot.
The poetry that Heaney hails as adequate in these circumstances
is a poetry that articulates an awareness of this plural-place-situation,
in such a way that its response to the place is not circumscribed
by one (or the other) community's definition of it. This isn't
a poetry that is written from the outside, but from the complexities
of the inside. It is a poetry that is written with both systems
of naming in mind, knowing that the system of naming that belongs
to the community of which you are not a part, is still a fact
of this place, envisaged as a unity.
To make one place out of Northern Ireland, or rather out
of the Irish Isle, one has to be in two minds, according to Heaney's
line of thought. In a partly autobiographical paragraph towards
the end of the book he says:
There is nothing extraordinary about the
challenge to be in two minds. If, for example, there was something
exacerbating, there was still nothing deleterious to my sense
of Irishness in the fact that I grew up in the minority in Northern
Ireland and was educated within the dominant English culture.
My identity was emphasized rather than eroded by being maintained
in such circumstances. The British dimension, in other words,
while it is something that will be resisted by the minority if
it is felt to be coercive, has nevertheless been a given of our
history and even of our geography, one of the places where we
all live, willy, nilly. It's in the language. And it's where the
mind of many in the republic lives also. So I would suggest that
the majority of Northern Ireland should make a corresponding effort
at two-mindedness, and start to conceive of themselves as within
- rahter than beyond - the Irish element. Obviously, it will be
extremely difficult for them to surmount their revulsion against
all the violence that has been perpetrated in the name of Ireland,
but everything and everybody would be helped were they to make
their imagination press back against the pressure of reality and
re-enter the whole country of Ireland imaginatively... (p. 202).
This is a very rich paragraph, which invites
a variety of comments. I wish to finish this paper by focussing
on one of the central thoughts here, namely that the British dimension
is a given of Irish history and geography. This
thought connects up with a point I made in my preliminary remarks,
the point that human presence in a place is a fact of this place,
it is part of what the place contains, part of its furniture.
The poetic response to place that Heaney outlines, takes
seriously the thought that the other community is part of what
is given in a place, whether or not the presence of the community
is acknowledged by one's own community's definition of this place.
Rather than assuming that the way we are bound together defines
the place, a poetic response acknowledges the pressure on us from
the place itself, as the shared ground that we are embedded in
and that our lives unfold in, to see the other as a fellow human
being. From the very fact that we are in a place together a sense
of communality may emerge, a sense of communality that transcends
the confines of our community.
One may ask what makes this response into a poetic response
to place. (What is so peculiarly poetic about it.) It would take
another paper to account for that. But a crucial feature of Heaney's
poetics of place is that he sees the poet as both a materialist
and a visionary. The poetic sense of place latches on to a response
to place that is more primordial than, and in a sense prior to,
our full knowledge of the communal definition of place in words
and practices. It is also a sense of place that reaches beyond
this definition in words and practices. Thus the poetic sense
of place has the potential to disturb our conception both of place
and community. And the relationship between community and place
that we arrive at, is one which has shifted the constituting balance
between them: rather than we constituting the place that this
is, the place contributes to constituting the "we" that
we are.
To sum up: the poetic vision of place is a vision of this
human life being grounded in a world that is not a result of human
effort. This is not a vision that ignores the human effort, or
the communal bonds, but one that sees beyond these social bonds
to something non-human as that which ultimately holds the human
community together (or has the potential of holding the human
community together.) Rather than being a product of man's meaning-making
effort, the place provides a horizon of meaning that gives sense
to this meaning-making effort. This is one way in which the concept
of place may be said to mediate between the given and the made.
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