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Reading assignments for SVF-3103 Constructing Stories – Montage, Narration, Editing
Reading assignments for SVF-3103 Constructing Stories – Montage, Narration, Editing
Walter Benjamin, “The Storyteller”, in Illuminations, Published by Pimlico UK 1999, (1955) pages 83-107.
R. Kearney “ Where do stories come from?” in On Stories, London : Routledge, 2002
Michael Jackson: The politics of storytelling : violence, transgression, and intersubjectivity Museum Tusculanum Press, Købenavn, (2002) pages: 11-36
G. Marcus “The modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage” in Deveraux, L & R. Hillman: Fields of vision : essays in film studies, visual anthropology, and photography, Berkeley, Calif. : University of California Press, 1995
Sergei Eisenstein: “The Cinematographic Principle and the Ideogram” in Film Form. Essays in film theory (eds) Jay Leyda 1946/1977
A. Tarkovskij: “Time, Rhythm and Editing” in Sculpting in time. University of Texas press: Austin. 1996
Bill Nichols: “The Voice of Documentary” in in Bill Nichols (ed) Movies and Methods vol. 2, Berkeley: University of California Press 1985
Dai Vaughn: “The space between shots” in Bill Nichols (ed) Movies and Methods vol. 2, Berkeley: University of California Press 1985
R. Cardinal: “Pausing over Periphera Detail” in Framework Nr. 30/31 pages: 112-133
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